In the heart of Botswana, beyond the glittering diamond mines, lies a true gem that shines on stage. Born in 1989 in the village of Mochudi, Mpho Sebina has emerged as a leading singer and composer, revolutionizing Botswana’s music industry. Her evocative music, rich with nostalgic and healing elements, leaves a lasting impression on all who hear it. Each song she crafts is a therapeutic and enchanting experience, reflecting her attention to detail in her lyrics.
From her album “Neo” to her latest work “Lora,” Mpho has consistently delivered a progressive sound that has captivated a diverse fanbase. Collaborations with international artists such as Major League DJz and Black Coffee have further cemented her status. In May 2024, she teased fans with her single “Tshepo,” hinting at an exciting new project set to release later in the year.
Before embracing music full-time, Mpho pursued an HonoursDegree in International Business at Multimedia University in Malaysia. It was during these years that she began to explore writing, recording, and vocal training. Her journey in music, however, began much earlier.
“For as long as I can remember, music has been embedded throughout my life, holding my hand through life’s joys and pains, sunshine and rain,” Mpho shared in an interview with Southern African Times. “I grew up around music lovers and was introduced to the sounds of Miriam Makeba, Bob Marley, UB40, and Brenda Fassie at a young age. They have become inspirations in my artistry.”
At around nine or ten years old, a family friend remarked on her singing talent, a moment that changed Mpho’s relationship with music. “I was quite shy growing up and not very confident in myself. I only started performing publicly in university. It was in 2017 that I decided to go full-time into the music business,” she recalled.
Growing up in Botswana, Mpho cherishes the close-knit family gatherings filled with love, food, and music. Her fond memories include picnics on the Makgadikgadi Pans, surrounded by flamingos and the occasional wild dog. “Botswana is a beautiful country. Although small in population, it feels like home, and I love it!” she exclaimed.
Mpho describes her sound as Experimental, Setswana, and Soul. “My music is for everyone looking to overcome life’s challenges, heal, and find a piece of peace,” she explained. Her career milestones include covering Brenda Fassie’s “Too Late For Mama” with Gallo Records, a full-circle moment for her.
Discussing Botswana’s cultural scene, Mpho highlighted the diversity and budding creativity. “The cultural space in Botswana is vibrant with exciting creatives like Dato Seiko, Veezo View, FME DJs, Team Distant, Samantha Mogwe, and many more. Our fashion and accessories scene is thriving with internationally renowned brands like Glotto, Nguo, Indecisive, and Tsatsi.”
Reflecting on her evolution from “Neo” to “Lora,” Mpho noted her growth in Setswana writing and her excitement to explore more languages and sounds in her upcoming project “Alkebulan.” This project will feature female musicians from across Africa and celebrate the continent’s rich soundscapes.
Visuals play a crucial role in Mpho’s music, as seen in her latest release “Tshepo,” which features former Miss Botswana Palesa Molefe. “I generally enjoy a good visual! It’s a more immersive experience to enjoy music with a visual story to it,” she said.
In the studio, Mpho’s process is about connecting with the emotions that music evokes. “Studio is a time of release and expression for me. I love music, so it’s a lot of fun,” she shared. Collaborations, she believes, require open communication, an open mind, and patience.
Beyond music, Mpho curates events under the “Naked Soul” series, providing intimate soulful evenings. “It’s been both challenging and fulfilling to champion the event independently. Musicians need to understand the importance of putting together our own shows and learning how the event space works,” she emphasized.
If she could start over, Mpho would have diversified her income streams earlier and educated herself more about the business side of music. Her advice to aspiring artists is to do the same. Looking ahead, Mpho aspires to collaborate with Southern African artists like Tyla, Nutty O, BongeziweMabandla, Innomuno, Han C and Thandiswa Mazwai to name a few.
Despite the challenges of balancing artistry and entrepreneurship, Mpho remains optimistic about the future of African music. “The state of African music is beautiful right now. The more we stay true and authentic to ourselves and our sound, the more we resonate with audiences globally,” she affirmed.
For the second half of 2024, Mpho plans to release more music and collaborate with artists across the continent. “I’m excited about my first project in four years. I’m striving to be a better woman and businesswoman, diversifying as much as I can, investing more in my art, and taking care of myself: mentally, physically, and emotionally.”
